Literature-In-English 1 - Objective
Section A
Answer all questions in this section
Part 1: General Knowledge of Literature
- The main character in a play or novel is the
- protagonist
- narrator
- vilain
- antagonist
- A dramatic performance with only bodily movements and no speech is a
- farce
- mime
- slapstick
- burlesque
- Before a play is performed it is
- auditioned
- applauded
- rehearsed
- recited
- A play that moves the audience to pity and fear is a
- comedy
- farce
- pantomine
- tragedy
- A sonnet has a final couplet when it has
- sestet
- an octave
- two sestets
- three quatrains
- He is my most beloved enemy illustrates
- synecdoche
- oxymoron
- metonymy
- litotes
- The cast appears at the end of a play for the
- musical interlude
- curtain
- call
- introduction
- Diction is a writer's choice of
- style
- syntax
- rhythm
- words
- A poem which celebrates simple county life is
- a pastoral
- Option b
- an ode
- an epic
Read the lines and answer question 10 - The lines illustrated
- epitaph
- epigram
- apostrophe
- allusion
- Hamartia in a literary work refers to a hero's
- tragic flaw
- inordinate ambition
- strength of character
- good works
Read the line and answer question 12
- The dominant device used is
- paradox
- pun
- chiasmus
- zeugma
- A short play performed during the pause between the acts of a longer play is
- an interlude
- an epilogue
- a prologue
- an interval
- 'Weeping pillow' illustrates
- dramatic monologue
- pathetic fallacy
- transferred epithet
- dramatic irony
- The predominant figure of speech in the extract is
- oxymoron
- personification
- contrast
- paradox
- The extract is about
- an earthquake
- a flood
- an explosion
- a storm
- The effect of the extract is conveyed through the use of
- antithesis
- parallelism
- conceit
- climax
- Beware her faintly frail health and gentile gallands around her speed illustrates
- oxymoron
- alliteration
- synecdoche
- repetition
- The eight-line part of a Petrarchan sonnet is the
- quatrain
- octave
- octameter
- quarlet
- The metrical beat in The splendour falls on castle walls is
- Anapaestic
- dactylic
- trochaic
- iambic
Oh spite 'oh hell' I see you ate all bent to set against me for your merriment
Who lied in the chapel?
Now lies in the Abbey
Part 2: Unseen Prose and Poetry
Read the passage below and answer questions 21 to 25
Jame's heart beat madly as he and Alice approached the beeping metal detector at the entrance. The oblivious swinging door hugged the couple with inviting, outstretched arms and ushered them into the lobby in genial welcome. The receptionist asked James to surrender any valuable items he had; if they got lost, management would be liable
James looked at Alice, his wife returned his guilt-stricken, dubious look with an innocent, trusting smile. What would he do if jewels went missing? How would he explain it to himself? What would he have gained by his mischief? What had come over James so shamelessly to decide to rob his own wife? The swindled woman stood innocently beside her unrepentant husband as he took the key to their room with hands the shook slightly.
- The expression door hugged the couple illustrates
- euphemism
- personification
- litotes
- onomatopoeia
- The narrative technique is
- first person
- steam of consciousness
- third person
- interior monologue
- How would he explain it to himself?
- hyperbole
- parallelism
- rhetorical question
- thethorical question
- The writer's attitude towards Ja,es is one of
- sympathy
- distrust
- support
- disapproval
- The setting is
- The couple's home
- a modern hotel
- the airport
- a school
Poison ivy came up like a rose
in red and thorny garb
I look, liked and did dare touch
my pals my avid touch espied
with green and frosty eyes
I should've only looked, and not leapt,
For away and over my rising moon she flew
On clipped wings of my dream
Now a song-filled air pocket of serenades
A love's wretch, my dream is a hornbill
Flightless and tottering.
My dream remains a dream still
Now my dream is a locked-up serenade
- The mood of the persona is one of
- contempt
- hilarity
- despondency
- hopefulness
- The theme of the poem is
- love in the garden
- the acceptance of love
- the rising moon
- unrequited love
- The envy of the person's friends is expressed in the
- avid touch
- clipped wings
- green and frosty eyes
- song-filled air pocket
- Line 2 is in the iambic
- trimeter
- tetrameter
- pentameter
- hexameter
- The last line illustrates
- parallelism
- contrast
- hyperbole
- metaphor
Section B
Answer all questions in this section
-
Othello: Not I. I must be found
- Just before this, Iago advises Othello to
- Option a
- Option b
- Option c
- Option d
- Question 32
- Option a
- Option b
- Option c
- Option d
- Question 33
- Option a
- Option b
- Option c
- Option d
- Question 34
- Option a
- Option b
- Option c
- Option d
- Question 35
- Option a
- Option b
- Option c
- Option d
Read the extract and answer question 36 to 40
- Question 36
- Option a
- Option b
- Option c
- Option d
- Question 37
- Option a
- Option b
- Option c
- Option d
- Question 38
- Option a
- Option b
- Option c
- Option d
- Question 39
- Option a
- Option b
- Option c
- Option d
- Question 40
- Option a
- Option b
- Option c
- Option d
- Question 41
- Option a
- Option b
- Option c
- Option d
- Question 42
- Option a
- Option b
- Option c
- Option d
- Question 43
- Option a
- Option b
- Option c
- Option d
- Question 44
- Option a
- Option b
- Option c
- Option d
- Question 45
- Option a
- Option b
- Option c
- Option d
- Question 46
- Option a
- Option b
- Option c
- Option d
- Question 47
- Option a
- Option b
- Option c
- Option d
- Question 48
- Option a
- Option b
- Option c
- Option d
- Question 49
- Option a
- Option b
- Option c
- Option d
- Question 50
- Option a
- Option b
- Option c
- Option d
My parts, my title, and my perfect soul Shall manifest me rightly, is it they?
Iago: By Janus, I think so
Othello: The servants of the Duke? And my Lieutenant? The goodness of the night upon you, friends What is the news?
(Act 1, Scene Two, Lines 29 - 34)
Speaker: Let me speak like yourself and Lay a sentence
Which, as a grise or step, may help these lovers,
When remediea are past, the griefs are ended
By seeing the worst, which late on hopes depended
(Act 1, Scene Three, lines 198-201)
Literature-In-English 2 - Prose
Answer two questions in all; one from each section.
Develop not fewer than five points in your answers.
Section A - African Prose
Answer one question only from this section
- Question 1
- Question 2
- Question 3
- Question 4
Section B - Non-African Prose
Answer one question only from this section
- Question 5
- Question 6
- Question 7
- Question 8
Literature-In-English 3 - Drama and Poetry
Develop not fewer than five points in your answers.
Section A - African Drama
Answer one question only from this section
- Question 1
- Question 2
- Question 3
- Question 4
Section B - Non-African Drama
Answer one question only from this section
- Question 5
- Question 6
- Question 7
- Question 8
Section A - African Poetry
Answer one question only from this section
- Question 9
- Question 10
Section B - Non-African Poetry
Answer one question only from this section
- Question 11
- Question 12